Conclusion, King in Context

Rev. Dr. King was most certainly a man who was “blues in the life of the mind and jazz in the ways of the world” (to quote Dr. Cornel West). I close out the King in Context posts with one of my personal favorites: Rev. Dr. King’s address for the 1964 Berlin Jazz Festival. He riffs about faith, jazz, and justice in a way that is soul-stirring. Here is the text of his speech.

“God has wrought many things out of oppression. He has endowed his creatures with the capacity to create—and from this capacity has flowed the sweet songs of sorrow and joy that have allowed man to cope with his environment and many different situations.

Jazz speaks for life. The Blues tell the story of life’s difficulties, and if you think for a moment, you will realize that they take the hardest realities of life and put them into music, only to come out with some new hope or sense of triumph. This is triumphant music.

Modern jazz has continued in this tradition, singing the songs of a more complicated urban existence. When life itself offers no order and meaning, the musician creates an order and meaning from the sounds of the earth which flow through his instrument.

It is no wonder that so much of the search for identity among American Negroes was championed by Jazz musicians. Long before the modern essayists and scholars wrote of racial identity as a problem for a multiracial world, musicians were returning to their roots to affirm that which was stirring within their souls.

Much of the power of our Freedom Movement in the United States has come from this music. It has strengthened us with its sweet rhythms when courage began to fail. It has calmed us with its rich harmonies when spirits were down.

And now, Jazz is exported to the world. For in the particular struggle of the Negro in America there is something akin to the universal struggle of modern man. Everybody has the Blues. Everybody longs for meaning. Everybody needs to love and be loved. Everybody needs to clap hands and be happy. Everybody longs for faith.

In music, especially this broad category called Jazz, there is a stepping stone towards all of these.”

About Fred

Fred came to serve greater Williamsburg and WCC as lead pastor in October of 2010 and is grateful to be a part of the family. He is a husband, father, certified trauma professional, S.T.A.R. (strategies for trauma awareness & resilience) practitioner, community organizer, TEDx alum, founder of 3e Restoration, Inc. and co-owner of Philoxenia Culture LLC. He received his B.S. in Ministry/Bible at Amridge University and his Master’s of Religious Education in Missional Leadership from Rochester University. Currently he is a candidate for a Doctorate of Ministry in Contextual Theology in at Northern Seminary in Chicago. Fred has also served as an adjunct professor for Rochester University and Regent University where taught courses in philosophy, ethics, leadership, pastoral care, intro to Christianity, and ethnography. He has also served as a guest lecturer on the subjects of racialized cultural systems, poverty, and missiology at various universities, such as William & Mary and Oklahoma Christian University. Fred has authored on book (Racialized Cultural Systems, Social Displacement and Christian Hospitality) and several curriculum offerings, including The FloorPlan: Living Toward Restoration & Resilience. Fred enjoys hanging out with his family anytime, anywhere. He is deeply grateful for how God graciously works through the Church in all her various forms, despite our brokenness. He is passionate about seeing the last, least, and lonely of every neighborhood, city and nation experience God’s in-breaking kingdom, and come to know Jesus as King. Oh, and his favorite season is Advent and Christmas. Fred is a founding member of the board of directors for Virginia Racial Healing Institute, a member of the leadership team for Williamsburg's local chapter of Coming to the Table, and a member of Greater Williamsburg Trauma-Informed Community Network's Racial Trauma Committee and Training Committee.
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